Tuesday, December 15, 2009

Flying Money: History Of A Best Selling Stock Photo


The first stock photo I ever made with Photoshop, 19 years ago, and still selling!

Flying Money, My First Photoshop Stock Photo

I noticed, when looking through my sales history, that many of my images have a very long life. The above image of flying money, which I named many years ago, Flight of the Greenbacks, is one of those long-lived pictures. It brought in just under $400.00 over the last year. Now $400.00 in a year for a stock photo is hardly what one would call spectacular, hardly worth mentioning, I suppose. But the cool thing about this image earning that amount over the last year, is that I created this image in 1990! This image was, I believe, the first stock photo I ever created in Photoshop.

Hundred Dollar Bills and Wings of Egrets
I photographed the money, a $100.00 bill, with a 4x5 Sinar camera using Ektachrome 4x5 transparency film. The wings came from a 35mm slide of an Egret in flight that I had photographed for part of a housing project brochure. I photographed the Egret using either Ektachrome or Kodachrome slide film, I don't remember which. The cloudy sky image was also from a 35mm slide. I had all the transparencies scanned on a drum scanner at a separation house. It cost me a hefty $110.00 a scan, and each scan was transferred to me via SyQuest disk.

Photoshop 1.0 And A Macintosh II

I used Photoshop 1.0 for the digital work on a Macintosh II. My machine had a whopping 32 megs of Ram and a un-calibrated 13 inch monitor. In Photoshop, back then, there were no layers, there was no history, there were no layer masks and there wasn't even a pen tool to create clipping paths (at least at don't remember one). It took me two full days to create this image, and probably a third day of just cleaning up edges. Trying to get things perfect was the difficult part. Well, that and the fact that everything took forever to do! Rotating a 30 megabyte file took over half-an-hour, and since all you could see during the duration was a bounding box, accuracy was non-existent! I don't even like remembering it. Finally, I had to deliver the image to Tony Stone Images (this was before Getty Images existed) as a 4x5 transparency output from a film recorder.

$15,000.00, Fifteen Years, And A Time Magazine Cover
Though the earnings of this image have dropped considerably, way back in the day, it earned some good money. I would guess my total returns for this image is in the neighborhood of $15,000.00. Another interesting point is that it took fifteen years from the time I created it for it to show up on the cover of Time Magazine. The people at Time isolated the flying money and added in a face to illustrate an article on what they called "The Great Retirement Rip Off".

Photoshop, Progress Bars and 3D Programs

In the early nineties I was constantly being told that you couldn't use Photoshop to do professional level work. I just smiled and went back to watching that progress bar. Actually, I should say several progress bars. You could be much more efficient with two or three machines. I remember once using the "radial>zoom>blur" filter on a photograph in an operation that took 19+ hours to finish, then it didn't look very good so I did the old "command-z". I suppose there are those out there (Colin Anderson, Shalom Ormsby and Phil Banko, for example?) who now experience those same situations doing high-end work with 3D programs.

Income Producing Assets
Every time I set about to make a stock photo, I am trying to create an image with that kind of staying power. In the well-known investment book Rich Dad, Poor Dad, Robert Kiyosaki advocates investing your money in “income producing assets”. That is how I view my stock photos, as income producing assets. I am investing my time, my money and my ideas in stock photo assets. I don’t know about you, but I find it very reassuring that those assets can still, even in these years of industry turbulence, have a long and healthy life.

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Friday, December 4, 2009

SEO: Opening Doors For Stock And Assignment Photography


 The song and dance of getting photography assignments vrs. optimizing your web site for both assignment and stock photos.

Stock And Assignments
I think about stock photos all the time, but every once-in-a-while I think about assignments. There are a lot of good things about assignments; Money, fresh ideas, subsidized stock, the camaraderie of working with bright, motivated people, did I mention money?  But there are some downsides too. They take a lot of time. There is pressure. There is having to do things that you don't want to be doing. There is the stress of working with idiots (or at least people who think differently than you do).  And, oh yes, there is getting the assignments, the song and dance routine that all of us working pros know so well!

Time, Energy And Money

Those of you who are in the assignment world know of what I am speaking. There is constantly putting books together, putting time, energy and money into figuring out the coolest look, compiling prospect lists, shooting for the book, taking out ads in source books, shipping portfolios, keeping track of portfolios and so forth. Then there are the estimates. It can take an enormous amount of time and effort to put together good, accurate estimates. Unless you are truly exceptional a lot of those estimates will turn out to be, well, if not a waste of time at least a less than optimal use of your time.

Books Open Doors

But like I said, assignments can be good. The last assignment I did brought in $130,000.00 after expenses. I would be open to more of those, particularly because I didn't spend any time seeking that assignment. It just came to me. It came to me because I had written a book on Photoshop (Adobe Masterclass: Photoshop Compositing With John Lund). They say you don't make money off of books, but books open doors for you. I didn't make appreciable money in royalties from my book, but my client said that they hired me because of it. That book opened many doors for me and some of them were quite rewarding!

Art Directors, Art Buyers, And Designers Looking For Me
So I am OK with assignments, when they come, and if they are right for me. But I have no desire to jump through hoops to get them. I prefer to put my energy into my stock photography. Part of that stock effort includes SEO to get more eyeballs onto my images. But effective SEO will bring more than just stock clients. Art directors, art buyers, designers and others who are looking for a photographer with the look and style that I offer will find me. These people will be looking for me as opposed to me struggling to find them and get their attention. How cool is that? Just last week a licensing agent contacted me, all excited about the work I am doing, and exclaimed, “It was so easy to find you!”  It has been a year of heavy SEO now, but it is starting to work.

SEO Opens Doors

Good SEO is like that book. It opens doors. In the short time I have been working on optimizing my site I have had a surprising number of opportunities come my way. Some of them include a contract with a wall décor company, negotiations underway for a line of greeting cards, and a possible calendar deal. I have also executed one assignment and turned a couple of others down.  There is no doubt in my mind that this is just the tip of the iceberg. I believe that it will probably be another year before my SEO really kicks in…at least in a big way. I am totally confident that I will look back and be truly glad that I put the time and effort into making my site come up early in appropriate searches.

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