Thursday, April 2, 2009

The most dependable income



The most dependable income

I just read on the net that a study showed the most dependable way to earn money is to win a novelty half-time contest at a basketball game that requires sinking a basket from the half-court line. Apparently mathematical calculation also took into consideration that the consolation prize often includes a food item from the concession stand.

Yesterday, for just a few moments, I overhead a radio show in which the topic was recession-proof jobs. I heard the radio announcer say that the most recession-proof job was high school portrait photographer. He pointed out that no matter how bad things get parents will always want high school portraits of their children, especially high school graduation pictures.

My stock photo income

That got me to thinking. Right now my stock photography income is down about 18%. Now that is a lot, but I personally know four people who have lost their jobs in the last three months. Having my income dip by twenty percent isn’t nearly as devastating as losing my job. Even down by twenty percent stock photography is a cash cow for me!

Job security, a misconception

That brings up what I believe is an interesting misconception. Many people I have spoken to over the years cite security as the reason they wouldn’t want to be self-employed. Let me give you a couple of examples of “employment security”. My sister-in-law was working for Bank of America as a writer. Within a week of winning an award and being cited for her work by her supervisor, the entire department was let go. Surprise! A friend of mine was a senior art director for a greeting card company for many years. A venture capital firm bought the company and then proceeded to sell off the assets tell there was nothing left. So much for that job security! Self-employed people have far more security. We can measure what we earn from our efforts. Nobody else takes the blame; nobody else can claim the rewards. Our futures are in nobody’s hands except for our own.

As a stock photographer I feel exceptionally lucky in these difficult economic times. Sure, there are lots of those who are predicting the demise of the whole industry do to Micro stock, a glut of images and large agencies that don’t care about the interests of individual photographers. OK, so maybe I have to work a little smarter and a little harder. I can do that, and since I love what I do I don’t mind it.

The stock picture industry has become more interesting

In fact, the whole industry has become more interesting to me now that I have to really think about what I am doing. I am optimizing my site to increase sales both through traditional channels and directly to industry players and to the public. I am thinking more strategically in what I shoot and how I shoot it. I am paying attention to my sales and I am not forgetting that creativity is paramount. The changes in the industry and the economic climate have pushed me to collaborate more and I love it. I am growing more than I ever have.

The ultimate security

Further, as a stock photographer I can see my income rise or fall and take appropriate action. I don’t wake up one day and find that I am out of a job and have no income! Being self-employed as a photographer offers me far more security than any staff position. I am responsible for my self and my success or failure. I am under no (OK, few) illusions. That is the ultimate security!

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Monday, March 9, 2009

The case for quality

The case for Quality

At the User Generated Content Expo there was one common theme that kept coming through no matter who the speaker was. That theme was that quality content is key to success. I believe this is an especially important point for stock photographers. Further, that is true whether you are shooting for Rights Managed, Royalty Free or Microstock.

Quality images will rise to the top

The internet has leveled the playing field. It has leveled the playing field in a number of ways. No longer is the world of stock photography open to the few with contracts with the major stock agencies; now anyone can participate. Too, buyers can now compare, instantly, images and prices from across the world. It doesn’t make a difference whether you are competing in Macrostock or Microstock. Sooner, rather than later, the quality images will rise to the top and the lesser images will disappear into the darkness of the seldom or never seen. And that darkness is growing. As the number of images available increases, the chances of anyone seeing any one image decreases. The fundamental problem in selling stock on the internet is rapidly becoming one of being seen. And one answer to that problem is in offering quality work. That is true both for the individual photographer and the agency.

Quality images don’t have to be expensive to produce. You can spend thousands of dollars on a single image, or nothing at all. It isn’t about what it cost to make the image, or what you hoops you jumped through; it is all about the image. A great image can be a grab shot, or an elaborate production, or anything in between.

Your images represent you

Be proud of each and every image you submit. If you aren’t proud of it, don’t submit it. Just as important as creating great imagery is that you don’t dilute your work with the mediocre. It is difficult to be a good judge of your own work, but it is important to constantly work at building your discipline, at being your own harshest critic. Your images are more than just images; they also represent you.

Any resources you utilize to create less than great work is going to be increasingly wasted as those images become more and more eclipsed by better ones. But more importantly, as the distributors struggle to find ways to cut through the clutter and offer their clients more efficient searches and more relevant material, it is quite likely that your body of work will be taken into consideration as well. We can already see that happening at Alamy and iStockphotos, and probably others that I am not familiar with as well.

It will be important to build your own brand, if you will. I think it is a mistake to sit back and rely on the agencies to market your stock. Be proactive. Build your brand. Make your life about quality.

If you make your life about quality, your work will certainly follow. If you make images that you are proud of, images that will solve the problems of others, and if you are proactive in building your brand and insuring that your images are seen, you will be successful.---

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Saturday, February 7, 2009

Rights Managed, Royalty Free, or Micro Stock?

The Choice Between Rights Managed, Royalty Free, and Micro Stock

Recently a friend of mine, Greg, a man who owns a house painting business in my town, requested that I create photograph for him to run in a direct mail piece. Greg was familiar with my Animal Antics® series of images in which I anthropomorphize cats and dogs putting them in funny human-like poses. He asked that I photograph his own two dogs and utilize them in a similar way…put paint brushes in their hands, and have them
appear to be actually painting a house.

Greg told me that it was the first direct mailing he ever did in which not a single person requested to be removed from his mailing list. He was ecstatic with the results. Why do I bring this up? Because it is an example of how the right picture can make a huge difference for small and large businesses alike.

Are people willing to pay for quality?

As a stock photographer this is a huge issue. I know the right picture can indeed make a significant impact. But perhaps a bigger question is, are people willing to pay the premium for such pictures? I suspect that the answer is that knowledgeable people will recognize the value, and those who do not realize the cost benefits of quality imagery will opt for the less expensive options.

I firmly believe that as time moves on more and more images will be searched for and found on the web outside of the traditional channels of the stock industry. I want to be prepared for that. As I plan for the future I run into the question of whether to put my images into the Rights Managed category, the Royalty Free category, or the Micro Stock category (which seems to me to just be a lower priced Royalty Free model). I believe that the Rights Managed category is most appropriate for the bulk of my stock photos. Yet if I stick to that category I might be shooting myself in the foot. If it does come to pass that eventually the majority of picture sales come from individuals outside of the traditional stock industry, I don’t see them calling up Getty and negotiating rights for an RM image. The most compelling reason to put images in Micro Stock, for me, is the sheer number of people who are looking at those images. But, if people are searching and finding my images via Google (or some yet-to-appear search mechanism), then the appeal of Micro Stock simply becomes one of lower price.

At this point I am counting on creating stock photos that are strong enough that a potential buyer who sees them is willing to either pay Royalty Free rates, or to pick up the phone and negotiate for an RM image. I am not yet ready to put material into the Micro Stock business model. The recently abandoned (modified?) Rights Ready model championed by Getty seemed interesting to me in that it created a higher-priced category that also seemed reasonably simple to license. There still seems to me to be merit in that strategy so perhaps we will eventually see it evolve to the point where it truly works. I would love that!


Where to put stock images?

At least one industry pundit has suggested to me that the migration of sales outside of the normal stock industry channels means that it would behoove me to quit submitting my images to the agencies and license them all myself over my web site. Maybe someday that would be a good strategy, but I think that day, if it ever comes, is still a long, long way off. Despite the industry problems, my stock sales remain strong. Buyers within the stock agency channels are still willing to pay for a quality image. Every month I have multiple sales in the $1,000.00 and up range (and yes, Getty sales in the 40 cent range too). Hey, apparently one of the great things about RM is that it can actually undercut RF and Micro prices! However, for now I am going to concentrate my web site stock efforts on increasing the exposure that my “agency” images have and directing potential buyers to the appropriate agency where they can license the image without my having to get involved.

If any photographers who might happen to read this have any stories of images that have made a difference I would love to hear about them. It might help us all if we help educate the market place and the consumer to the true value that a great image can provide.

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